What are they teaching us? What are we teaching ourselves?

It isn’t about what I can do, it’s about what I want to do.

I have run across folks recently who swear on a brand of DAW and have told me I am being silly about not liking Reaper. One guy even told me, “I am a boomer, if I can do it, anyone can.” (Sorry boomers out there, he said it… although he did say it in typical boomer fashion, I must say. lol.)

Understand when someone doesn’t like a product, it doesn’t mean they can’t use it. I have been on computer DAWs since 2002 (Cool Edit Pro 2.0) and have seen the decline of software design over the last 20 years. It isn’t because I don’t like technology that I don’t find Reaper attractive, it’s because I have been a technology fanboy a long time. And it sucks now. I welcome tech that makes sense, but that is not what we got now. Also, GenX. Even a young one, at that. 

In a previous life…

Many folks don’t know or remember that I started writing about video games in the late 90’s. I was on some decent sites. Even got paid a couple of times. I used to say, “I am passionate about video games.” That cracks me up, these days. I don’t play games anymore. I’ve tried a couple out. I am not opposed to them. But they suck now. If only they had a game with crafting in it…

A question for Google:

I asked Google, “Why does software suck so bad compared to the 2010’s?”

The litany of possible reasons is spectacular. Thanks, Google. 

If it sucks so bad, I’m not using it.

So me and Google and friends, folks I meet in forums, and even boomers think software sucks. It’s not reliable. Voice to text isn’t even as good as it used to be. And video games are some kind of commitment I get no joy in. As someone who’s been at this nearly thirty years, I feel very much like a fish out of water. And I like this stuff. If I didn’t like it, I’d be looking at desert shanty towns for a new location. Might anyway.

Learn the craft, not the software.

I have gotten better at technique, musical knowledge, performing, editing, recording, writing lyrics, arrangement, even promotion, and album art. During the time I was getting better, the software got a lot worse. I find my only way to be “okay” with that is to do it myself. I don’t need the same software I used to. I still use some, but it has me figured out, at least today. I am very fortunate I learned music this whole time, not software. And that’s kinda’ my point.

Learning a DAW is fine. We need those folks. But that is not learning music. It is learning software. If that floats your boat, great! But I don’t want to learn software for fun. I like making noise. Also, I learned Logic Pro pretty well, and when they integrated silly features that started around update 12.0, I dropped them like an STD. It was no longer the aesthetic or tool set I was looking for. But they didn’t offer to compensate me anything for learning their DAW and turning my friends on to it. They never said thanks for sharing on the internet and the hours you spend on this thing. Learning software is a ripoff. If it doesn’t change hands, it will update. They even change the payment methods! Video game memories haunting me now. 

The plague hitting home musicians right now. I daresay, a plague on the indie scene as a whole.

We talk about the bedroom musician sometimes and one of those components is usually software. Depending on which DAW they use and their level of proficiency, I am often able to tell which DAW they’re using. I have tried many. I am not looking for an answer in software anymore. I know it is going to be hard. I know it will have proprietary terms I will always be translating in my head to the musical ones. I know folks stare so hard at the waves, graphs, meters, lights, that they can’t hear the music playing through their ears. They see it somehow and call it good. Me, I am folks. We all know that we have a hard time reading texts while talking to someone over a meal. But for some reason, folks seem to prefer mixing that way. These kinds of obstacles hinder the bedroom musician like a plague on the whole scene. 

They probably won’t change.

The software industry is pretty consistent. They want more and more  tech,more subscriptions, more time on the computer, more processing, more AI, more money. The whole time I have known them, even writing in their magazines, that has been their behavior. I don’t see them any differently today. And I see them.

I refuse now.

I don’t want to learn any more of their bullshit. I feel tired and burnt out, and also happy that I have figured out a way to record and distribute music with minimally invasive software that has a nice low learning curve. There are no menus in the DAW I am using now, TAPE 24. I hear what I want in my head, I go after it. I am not trying to find the closest thing on a huge list. I am much happier that way. 

If you want to make changes, do it. I did it in phases. It is better if you like writing music you like.

I think other folks are like me, too. If you are scared of making changes, I did it in phases. They often overlapped. I might be quitting one DAW, finishing up projects, opening new ones on a different one. I might have leaned on the iPad too much at first when I got rid of my cell phone. But now that I am able to work with a smile on my face in the music room, I don’t think about it much. I have met folks in forums who say “You cannot be a musician these days without social media.” This is false. Not only do I not have a social media, tons of musicians I work with don’t have one either. No time. I got a Christmas song and a collaboration still scheduled for today. Don’t sell yourself short when you give yourself additional time and fewer distractions. With me, music happened.

Learn to use your brain for yourself, not an IP.

The main thing, back to the title of this one, be careful what you learn out there. Very few people are beating down your door trying to teach you anything, except software companies. They are happy to let you work for them at your job or even for free in your bedroom studio. They are happy to teach you loads of jargon and even a philosophical approach to picking from menus and being observed. I promise, it is more fun to learn without inviting those guys over. Good luck.

Kelly Kintner, Producer, Songwriter